Showing posts with label Tori Amos. Show all posts
Showing posts with label Tori Amos. Show all posts

Tuesday, May 12, 2009

Acoustically Attracted To Sin

So the Tori gig was last night. Here's the set list (courtesy of Undented):

* Famous Blue Raincoat
* Lady In Blue
* Curtain Call
* Crucify
* bodyguard improv > Leather
* Maybe California
* Taxi Ride
* Mary Jane
* Jackie’s Strength
* Wednesday
* Welcome To England
* Cool On Your Island
* Silent All These Years
* Barons of Suburbia

Encore

* Over The Rainbow
* Putting The Damage On

Since the audience, for once, seemed to respect the no photography rule (there was a flurry of flashes at the final bow, but otherwise pretty much nothing), I was not that disrespectful asshat who took pics anyway and so I stole a pic from Getty Images instead


It was, without a doubt, the best I've ever seen her. And I never thought she'd top the 2005 concert when she was joined by the gospel choir. But she did. her cover of "Famous Blue Raincoat" is one of my absolute favourite tracks of hers and I could not believe it when she opened with it. When "It's 4 in the morning, the end of December" rang out, every hair on my body stood up. And they pretty much stayed that way for the next 90 minutes. The new material sounds so much better live and stripped down than the album tracks I've heard so far. The old songs were so much stronger, so much more vibrant than I've heard them before. The best example of that was "Wednesday", which was slightly slowed down and so much more playful than previous live renditions.

Vocally, she's never sounded better. Whatever ailed her two weeks ago and caused the postponement was obviously entirely cured. There wasn't much talking to the audience, I'm guessing it's because the second she opened her mouth, some idiots started yelling song requests at her. My dislike for her rabid fans continues unabated, it seems. I'm interested to see what the full tour with band turns out like, but at the same time, if I don't get a ticket for the tour, it'll be ok. The memory of this incredible concert is enough to keep me going until the next time.

Wednesday, April 29, 2009

The first silver lining of 2009

On May 18th, Tori Amos releases her 10th studio album, Abnormally Attracted To Sin. It's being accompanied by a world tour this summer, with Ms Amos once again accompanied by her band. On April 1st it was announced she would play a one of solo gig at the Savoy Theatre in London on April 27th. Tickets went on sale and it sold out in 15 minutes. I did not get a ticket.

On the 27th April, it was announced that for the first time in her 20 year career, she was postponing the gig due to illness. Rescheduled for 11th May, original tickets remain valid. I thought "what the hell" and called the ticket line to see if the the rescheduled date had caused anybody to return tickets. They had ONE TICKET LEFT! So PCB does get to go to the ball after all.

I've been seeing her live since 1994 and have seen every tour at least once and pretty much every one off gig since 1998 (I missed the "evening with Tori Amos" to promote Tales of a Librarian as I was out of the country at the time, but that was 90% interview anyway). Solo is my preferred way of seeing her and since she's stated that she'll never do a tour in a solo capacity again as it's "too boring", I'm gonna have to take what I can get in this regard. All I know is I've been ridiculously happy since getting my ticket earlier, so yay!

Sunday, August 10, 2008

It's a good thing I just had a pay rise

I don't think anyone who has spent more than 30 seconds looking at my blog can not know that I am a HUGE fan of Tori Amos. My devotion briefly wavered with her latest release American Doll Posse, but then right thinking kicked back in, I saw her twice on tour in NYC and was back to the full time devotion of her that has had many of my friends rolling their eyes at me and saying "still?"

Yes, still. The tour for American Doll Posse produced some of the best live performances she's ever done and since every show she does is different, the illegal recordings of her performances have been both plentiful and highly sought after. For the 2005 solo tour to accompany the release of The Beekeeper saw her release six "official" bootlegs, one of which was the London show I attended where she was joined on four songs by a gospel choir and is still one of the best concerts I've ever been to, ever. For the Posse, Amos took it to the next level and recorded 22 of the shows for release, starting with the show the night AFTER I saw her.

These recordings were only available via download to residents of North America and Canada, on a website called Legs & Boots. Not long after the end of the tour, the website closed down and that, I thought, was that. But recently, Epic decided not to renew her contract (hardly a shock since each album she's produced for them has been progressively less successful) and so Tori Amos is finally truly independent and free to do as she pleases. And if you look over yonder at my iTunes purchases, you'll see that one of the first things she has seen to is making all 22 shows available on the iTunes store in Europe, as well as the USA and Canada. Some, though by no means all, have a bonus track from the sound check into the bargain. I am in gay fan boy heaven and while my wallet is going to be hurting, it's going to be worth every penny.

Sunday, November 18, 2007

New York Round Up Part The Third: Tori Amos (2)

Concert #2

Act I – Santa

* Body and Soul
* My Posse Can Do
* Sugar
* Dragon
* Secret Spell
* You Can Bring Your Dog

Interlude

* Professional Widow

Act II – Tori

* Big Wheel
* Space Dog
* A Sorta Fairytale
* Cornflake Girl
* Doughnut Song
* Spring Haze

T & Bö

* Winter
* Carbon
* Baker Baker

Band Returns

* Almost Rosey
* Spark
* Code Red

First Encore

* Precious Things

Second Encore

* Bouncing Off Clouds
* Hey Jupiter


So the second night is still not sold out but it's less empty than last night. I wonder how much word of mouth about the previous night has to thank for a last minute surge in ticket sales. So anyway, if I am going to go see Tori, I will always book every night she's playing near me (in 2003, I saw the Scarlet's Walk Tour five times, twice in London, three times in NYC) as the set list is never the same from night to night. The most recent tours have been probably the most structured in terms of set lists, with opening and closing songs always being the same (in the case of this tour, that only really counts from the Tori section) but with this tour, she is really using the whole doll concept to really explore her music and performance from a fresh perspective. The early dates of the tour, each doll would only play songs from the new album, but as it's progressed, they have each been assigned songs from the back catalogue. It seems she waited to get to the US before really kicking things up a notch or twelve. This could be because the majority of the US leg is being recorded for download, but it could be because finally everything has fallen into place. Later dates after the NY gigs have seen her debut rarities such as "Peeping Tommi", "Mountain" and "Not David Bowie" as well as doing crazy shit like performing "Me & A Gun" with the band.

Anyway, back to night two of the MSG concerts. A later start time and a strict curfew at the WaMu Theatre caused a slight upset with the encore, but apart from that, the second night was every bit as astounding as the first. Seeing her perform as Santa and bring an entirely different energy to the opening part of the show made me completely eat my words about how naff I find the concept. One thing I don't understand though is with an album that has some filler songs smattered throughout the standout tracks, why it's the filler that's being so regularly performed while the standout tracks are rarely if ever seeing the light of day. "Velvet Revolution", "Girl Disappearing", "Father's Son", "Roosterspur Bridge", "Dark Side Of The Sun" have either been rarely or not played at all on the tour, while "You Can Bring Your Dog" and "Almost Rosey" are played all the damn time. And why "Posse Bonus" and "Programmable Soda" even made it on to the album but the brilliant "My Posse Can Do" is a bonus track on the DVD is truly beyond me.

This second show was a quieter and more emotional affair than the first night. Presumably this was due to Tori's parents being in the audience. Certainly it's why she played an absolutely killer version of "Winter" during the solo section. The absolute highlight for me would have to be "Spark". I love the song so much and From The Choirgirl Hotel is probably my favourite of her albums but I have never been lucky enough to hear the song performed live. Until tonight and it did not disappoint me at all.

The truncated encore was annoying ("Taxi Ride", another favourite, was supposed to be performed after "Precious Things" but was cut) but other than that I have no complaints and I have to say that having heard some of it performed live, I am now a much bigger fan of American Doll Posse than I was beforehand. I cannot wait until the bootleg downloads become available for places outside North America and Canada. Why? Well here's a terrible quality version of the absolutely storming version of "Bouncing Off Clouds". That's why.

New York Round Up Part The Second: Tori Amos (1)

I have mentioned on here before how I was not a big fan of the new album, how I found the concept a little tiresome and as for the tour, well, I didn't really care for the set lists and wasn't bothered I was missing her London dates. Well, having seen her New York dates, let me state for the record how wrong I was. The concerts were off the chart amazing, the best I have ever seen her (and that includes the 2005 concert with the gospel choir which I thought would never be beaten).

Concert #1

Act I – Pip

* Cruel
* Bliss
* Fat Slut
* Smokey Joe
* Teenage Hustling
* The Waitress

Interlude


* Professional Widow

Act II – Tori

* Big Wheel
* Crucify
* Pancake
* Cornflake Girl
* Bells For Her
* Siren

T & Bö

* Silent All These Years
* Cool On Your Island
* Cooling [complete with brambles]

Band Returns

* Digital Ghost
* Hotel
* Code Red

First Encore

* Precious Things
* Bouncing Off Clouds

Second Encore

* Hey Jupiter

Before I talk about the concert itself, I want to take a moment to vent about MSG. There was a basketball game on in the main arena and so getting into the venue was a freaking nightmare. There were metal detectors up all the way across the main entrance and it took me a fair while to get through as I picked the line with the jobsworth dullard who was letting one person through at a time, ensuring they had cleared the exit before letting the next person through. Sigh. Then I go and line up to pick up my tickets. After a long time, I get to the front whereupon I am told I'm at the wrong window and I have to go do it all over again. You can imagine how that pleased me. Luckily, the nice man at the window allowed me to collect my ticket for the following night at the same time or I would have pitched a fit.

So, the concert itself. It was nowhere near sold out, whole sections at the back were empty which was a real surprise to me. I know this album hasn't been flying off the shelves or anything, but still. So the show starts and Tori comes out dressed as Pip. In my earlier blog about the tour, I mentioned how disappointed I was she had reverted to the 1998 versions of "Cruel" and "The Waitress". Well, I take half of that back too. She opened the set with "Cruel", performing it as if she were the bastard offspring of Cat Power and Steve Tyler. It was pretty fucking amazing. The rest of the set as Pip was equally as astounding, insanely high energy and hard edged, covering two of the better songs from American Doll Posse ("Teenage Hustling", which was tremendous and "Smokey Joe" which was fantastically eerie), as well as one of my favourite songs from To Venus And Back ("Bliss"). Unfortunately, I still hate the overlong version of "The Waitress", but you can't have everything.

So Pip goes away and after a brief interlude of the hateful remix of "Professional Widow", Tori comes on and launches into "Big Wheel" which is much much much MUCH better live than on the album. There is not, in fact, a low point to the rest of the evening (unless you count the woman singing so far off key she's practically back in tune again, who was sat right behind me). There isn't much talking to the audience, but so what? During the solo section, I just about lost my shit. Why? Glance up at the set list and look at what it says next to "Cooling". Probably my most favourite of her songs and my most favourite of her lyrics. It's the name of this blog, it's engraved on my iPod, it's the welcome message when I turn my mobile phone on. Until this tour, the bridge that contains said lyric has always been skipped when it's performed live. But not anymore and hearing it sung live made me a very happy gay boy indeed.

I was so fucking happy to have a ticket for the next night when this gig was over. If I hadn't, I would have bought one immediately. It was really that good. Unfortunately, continuing the theme that my camera flash sucks ass, here's the pic I took:



So I figured I would steal someone else's. Here, see, much better



And here she is, as Pip, performing "Teenage Hustling". Not the best quality, but you get the idea.

Wednesday, September 12, 2007

I'm coming back

When I left NYC in January, I was really pleased that the next time I went back would be for good as leaving to come back to the UK was really quite a wrench. As we all know, thanks to visa fuck ups, my permanent arrival is now somewhat, if not indefinitely, delayed. When that happened, I thought long and hard about whether or not I would be able to take a holiday in NYC again.

But who was I fooling? Of course I can. I'm going back for two weeks at the beginning of October. I'll be staying with Eric which will be fabulous. Thanks to working three jobs lately, I'm pretty exhausted and so this time it's as much for a proper break as it is a job hunt. Also thanks to said triple job madness, I'm ok for money right now so I have booked myself some shows to see. My current schedule looks like this:

October 5th: Arrive

October 6th: Recover from the jet lag

October 7th: 2pm - Mauritius (starring previous HGM stud Bobby Cannavale)
7pm - Rent (yes really

October 9th: 8pm - A Bronx Tale

October 10th: 2pm - Pygmalion

October 11th: 8pm - Tori Amos

October 12th: 8pm - Tori Amos

October 13th: 2pm - Die Mommie Die!
8pm - Frankenstein

October 14th: 3pm - Cyrano De Bergerac

October 15th: 8pm - Young Frankenstein

October 16th: 7pm - Curtains

October 17th: 2pm - Xanadu


The rest of the time I'm there is free for now so I can see friends, hang out and be sociable. I fly back home on the 20th. It'll be a blast. I can't wait.

Wednesday, July 04, 2007

Piano Fatigue

Tonight is the second of Tori Amos's two London shows on the American Doll Posse tour. I did not go to either of them. I haven't blogged about the new album either, mainly because I didn't want to have to admit that I don't really like it.

There is some great stuff on there but there's TOO much on there. It's as long as her previous two albums but they were very easy on the ear. American Doll Posse is decidedly difficult listening and by the halfway mark I am really flagging. Trimmed by twenty or thirty minutes, it would have been amazing. But as is, it's just too much.

I have been following the set lists of the tour too and I haven't been exactly overjoyed with what I was seeing. Three songs ("Precious Things", "The Waitress" and "Cruel") have all reverted to their extended and overblown 1998 live versions with the band. "Heart Of Gold", the unlistenable cover version from 2001's otherwise fantastic Strange Little Girls is inexplicably now sometimes being performed. It's a shame that after really hitting her stride playing with a band on the 2003 Scarlet's Walk tour and doing such great things on 2005's solo Beekeeper tour that she should suddenly feel the need to step back almost an entire decade.

Thursday, March 22, 2007

American Doll Posse: The Cover




Interesting. Very reminiscent of the Strange Little Girls artwork. And I'm in agreement with Undented, I think the album will be a gatefold digipak type affair, if the size of this cover image is anything to go by.

Wednesday, August 09, 2006

The Geek Train Doesn't Stop Here Anymore




I'm sorry but that is some fuck ugly packaging there. Shame.

Wednesday, June 28, 2006

All favorites of mine, you know them all well

So a little more as to why I am so excited about the box set from Tori Amos coming out soon:

We'll start with the packaging. It's deluxe! It resembles a piano! I am a marketer's dream, a fanboy geek and I'm a sucker for fancy schmancy packaging. If you're going to do a box set, you have to make it pretty.

Then there's the track listing. All those alternate versions from Little Earthquakes! Four of them! And the previously unreleased unedited version of Crucify. I am oddly not a fan of the single version that was made more radio friendly and edited in the most bizarre place (the lyric of "please save me, I cry" is truncated to the point of stupidity).

Under The Pink has its fair share of alternate versions too, including probably her finest moment, Yes, Anastasia. I'm sort of glad that Boys For Pele is getting the short shrift as it's my least favourite of her albums. The few songs that are included are my favorites off the album, so that works out. Then she's included the live version of Professional Widow that's titled The Merry Widow Version which is terrifying and brilliant in equal measure.

Disc 3 makes me a little cross, because there's the hateful horrible dance remix of Professional Widow, a remixed version of Bliss and Doughnut Song (two of her best songs) and the live version of Waitress from To Venus & Back which is far too long and way overdone (the other live version from the Past The Mission EP would have been much more welcome).

On Disc 4 there are remixed versions of two of my favorite From The Choirgirl Hotel which again makes me nervous, especially as Playboy Mommy really doesn't need ANY remixing. The final "eh" inclusion comes on the final disc with the remastered and utterly ruined version of Mary from the Tales Of A Librarian compilation from 2003.

But, oh the new songs! Zero Point is finally seeing the light of day! Fans have known of its existence since a liner note in 1999 on To Venus & Back noted that "your time is coming". I was beginning to wonder if it hadn't morphed into another song, like Just Another Dead Fag became Taxi Ride and I'm fairly certain that Freshly Mown Grass became Parasol. And all those demos! And the B-sides! It's all too too much for a geek boy fan. I own every CD single Tori Amos has ever released (even the one she didn't from Strange Little Girls, an album which is noticeable by its absence here) so I am just beside myself that there is a TON of stuff here I have never heard before. If there's full color booklets and picture CDs with it, well I'll be in geek heaven.

Bring it on.

Monday, June 26, 2006

Yes PCB, There IS A Santa Claus

As my blog title would suggest, I am a Tori Amos fan. So you can imagine how beside myself I am to discover this:

A PIANO: THE COLLECTION, will be a five-disc, career-spanning box set consisting of classics, rarities, demos, B-sides and unreleased tracks. And yes, indeed, very exciting news for Toriphiles … Tori will finally introduce us to five very special songs: “Not David Bowie,” “Zero Point,” “Peeping Tommi,” “Ode To My Clothes” and “Dolphin Song.”

Presented in deluxe packaging that resembles a piano’s keyboard, this set will be released by Rhino Records on September 26, 2006, at will be available at regular retail outlets and at the Rhino Records website for a suggested price of $74.98.

Produced by Tori, the career-spanning collection highlights selections from her studio albums as well as b-sides and songs that debuted on Tales of a Librarian. Featuring numerous unreleased songs, the box set contains a total of 86 tracks that combine well-known studio versions with rare alternative mixes, including several songs Tori remixed for this project. A PIANO: THE COLLECTION also offers a revealing and extensive track-by-track commentary penned by Tori, who discusses the inspiration behind the songs and albums and explains why they were chosen for this box set.

The compilation’s first disc includes an extended version of Tori’s 1992 debut, Little Earthquakes. The classic album has been augmented not only with a different song sequence and alternate mixes but it also features it’s four original b-sides “Upside Down,” “Take To The Sky (Russia),” “Sweet Dreams” and an alternate mix of “Flying Dutchman,” as well as the previously unreleased, unedited single version of “Crucify.”

Spotlighting music recorded between 1994 and 1996, the second disc includes songs from Under the Pink and Boys for Pele. The 18 tracks blend original and remixed versions of albums cuts with the b-side “Honey” and “Professional Widow” performed live. Also included is “Take Me With You,” an unreleased song intended for Little Earthquakes. “At the time I just couldn’t finish it,” Tori writes in the liner notes. “When we found it, there were no lyrics to speak of, just music. So you’ll have something partly recorded in 1990 but with a vocal recorded in 2006…”

The third disc also includes songs associated with Boys for Pele plus 1999’s To Venus and Back and Tales of a Librarian: A Tori Amos Collection. The 15 songs feature original and remixed versions of album tracks as well as “Hey Jupiter” (Dakota Version) and “Professional Widow” (Armand’s Star Trunk Funkin’ Mix). Also featured is “Walk To Dublin (Sucker Reprise),” an unreleased track from the Pele sessions.

From the Choirgirl Hotel (1998), Scarlet’s Walk (2002) and The Beekeeper (2005) are the focus of the fourth disc, which contains 15 songs including original and remixed versions of album tracks. Also featured is the unheard intro for “Marys Of The Sea” from The Beekeeper as well as four previously unreleased songs “Not David Bowie,” “Zero Point,” “Ode To My Clothes” and “Dolphin Song.” In the liner notes, Tori writes: “Some songs seem to have a timeline for when they want to be finished and put out to the world. At the time when we were working on ‘Dolphin Song,’ I had all kinds of ideas for her development after the basic tracking had been done. Instead she got set aside for a while. But once we started to go through the tape library we put ‘Dolphin’ up on the faders again, and I realized we didn’t need to record anything else; it was finished.”

The final disc features 22 tracks spotlighting Tori’s impressive list of renowned b-sides and includes the exclusive digital release “Merman” from 1999. For what could be the most intriguing addition to the collection, Tori invites listeners into her artistic process with a medley of demos for the songs, “Fire-Eater’s Wife/Beauty Queen,” “Playboy Mommy” and “A Sorta Fairytale.” Amos explains in the liner notes: “I’m usually pretty reticent to expose the musical development process…The demo medley was a choice I made so that other songwriters can feel an affinity with the idea that songwriters have to push themselves and not just accept the first incarnation that you are presented with. Each of these three songs are presented here in their completed form somewhere within the box set so you can see conception to development.”

The track listing for A PIANO: THE COLLECTION is as follows:

* = previously unreleased
Disc 1
1. “Leather” (Alternate Mix)
2. “Precious Things” (Alternate Mix)
3. “Silent All These Years”
4. “Upside Down”
5. “Crucify” (Unedited Single Version)*
6. “Happy Phantom”
7. “Me And A Gun”
8. “Flying Dutchman” (Alternate Mix)
9. “Girl”
10. “Winter”
11. “Take To The Sky (Russia)”
12. “Tear In Your Hand”
13. “China”
14. “Sweet Dreams”
15. “Mother” (Alternate Mix)
16. “Little Earthquakes”

Disc 2
1. “Cornflake Girl”
2. “Honey”
3. “Take Me With You”*
4. “Baker Baker” (Alternate Mix)
5. “The Waitress” (Alternate Mix)
6. “Pretty Good Year”
7. “God”
8. “Cloud On My Tongue”
9. “Past The Mission” (Alternate Mix)
10. “Bells For Her”
11. “Yes, Anastasia” (Alternate Mix)
12. “Blood Roses”
13. “Mr. Zebra”
14. “Caught A Lite Sneeze” (Alternate Mix)
15. “Professional Widow” (Merry Widow Version – Live)
16. “Beauty Queen/Horses”
17. “Father Lucifer”
18. “Marianne”

Disc 3
1. “Walk To Dublin” (Sucker Reprise)*
2. “Hey Jupiter” (Dakota Version)
3. “Professional Widow” (Armand’s Star Trunk Funkin’ Mix)
4. “Putting The Damage On”
5. “Bliss” (Remixed Version)
6. “Suede”
7. “Glory Of The 80’s”
8. “1000 Oceans”
9. “Concertina” (Single Remix Version)
10. “Lust”
11. “Datura”
12. “Sugar” (Live from sound check)
13. “The Waitress” (Live)
14. “Snow Cherries From France”
15. “Doughnut Song” (Remixed Version)

Disc 4
1. “A Sorta Fairytale”
2. “Not David Bowie”*
3. “Amber Waves”
4. “Iieee” (Remixed Version)
5. “Playboy Mommy” (Remixed Version)
6. “The Beekeeper”
7. “Jackie’s Strength”
8. “Zero Point”*
9. “Sweet The Sting”
10. “Ode To My Clothes”*
11. “Spark”
12. “Intro Jam”* and “Marys Of The Sea”
13. “Cruel” (Remixed Version)
14. “Dolphin Song”*
15. “Gold Dust”

Disc 5
1. “The Pool”
2. “Never Seen Blue”
3. “Daisy Dead Petals”
4. “Beulah Land”
5. “Sugar”
6. “Cooling”
7. “Bachelorette”
8. “Black Swan”
9. “Mary” (Tales Version)
10. “Peeping Tommi”*
11. “Toodles Mr. Jim”
Demo Medley:
12. “Fire-Eater’s Wife/Beauty Queen” (Demo)*
13. “Playboy Mommy” (Demo)*
14. “A Sorta Fairytale” (Demo)*
15. “This Old Man”
16. “Purple People”
17. “Here. In My Head”
18. “Hungarian Wedding Song”
19. “Merman”
20. “Sister Janet”
21. “Home On The Range” (Cherokee Edition)
22. “Frog On My Toe”